I have been recording the sounds that the sculptural components collect from their surroundings and reprocess within their space. This leads me to think about how sounds might behave when coming from within.
The final work will be a complex of interconnected internal spaces. How might these behave? How will this behaviour be affected by how components are connected? Is this relevant to the overall thesis; might this be an effective layering of meaning; confusing the issue; better used in some other context?
I continue to experiment and think about future works as the process of making evolves.