Bibliography

Printed

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Arber, A. (1950). The natural philosophy of plant form. Cambridge: Cambridge University Press.

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Bayles, D. Orlando, T. (2002). Art and fear: Observations on the perils (and rewards) of artmaking. UK: Image Continuum Press.   

Coen, E. (2012). Cells to civilizations: The principles of change that shape life. Princeton and Oxford: Princeton University Press.

Dawkins, R. (1976). The selfish gene. Oxford: Oxford University Press.  

Dawkins, R. (1996). Climbing mount improbable. New York: Norton 

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Duarte Loza, D. (2012). Salir(se) de las formas. Una poetica corporea entre musica y escultura. Cuadernos de Musica, Artes Visuales y Artes Sonicas, vol. 7, num. 2, 109-138.

Eck, Caroline. (2010). Living statues: Alfred Gell’s Art and Agency, living presence response and the sublime. Art History. Vol. 33, No. 4. pp. 642 – 659.

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Online

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Griffin, J. (2011). Available at: https://jonathangriffin.org/2011/01/02/andrew-lord/ First published in Art Review, Issue 47, Jan-Feb 2011 

Heidegger, M. (). The origin of the work of art. Translated by Roger Berkowitz and Philippe Nonet. Draft, December 2006.  PN revised. PDF downloaded from Page 11 of 14  https://www.academia.edu/2083177/The_Origin_of_the_Work_of_Art_by_Martin_Heidegger  

Herodotus (1890) The history of herodotus volume 1. Translated by G. C. Macaulay. London: Macmillan & Co, [Online] Gutenberg Project. Updated 2013. Available at:
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William Kentridge videos including https://youtu.be/G11wOmxoJ6U


Other

Graf, F. (2002) “Myth in Ovid,” In Hardie, P. (ed.), The Cambridge Companion to Ovid, Cambridge Companions to Literature, chapter, Cambridge, Cambridge University Press, pp. 108–121.

Kumar, K. (2014_ The shape of sound. Art India, 19(1), pp. 84-85.  Difficult to find original.